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AWARD-WINNING FILM PULLED FROM SEOUL FESTIVALAnd an excerpt from The Star's article. Filmmaker baffled by decision to axe 18? I first read about this on a post from the malaysian-cinema mailing list (which I've just joined two days ago) So far, the only person (that I know of) who has blogged about this issue is Howsy who suggested that this may be a repeat of Amir Muhammad's Lelaki Komunis Incident? (Amir's involved in the production of this film and was the one who recommended it to the fest) The film was vetoed by the Malaysian embassy in South Korea from being shown in the film festival because it features an 'anti-government political activist' - former ISA detainee Hishamuddin Rais. The embassy later denied this and said that they don't really have the power to veto the film and all they did was recommend some other films. So be it. I am sure they are very supportive when it comes to matters like this. Here's some info about 18?: "What is 18? This mysterious number is but one of a prominent crop of graffiti that has popped up around the streets of Kuala Lumpur.The film had won the Gold Prize in the Short Film: Documentary category of the 2005 Malaysian Video Awards, and was also the runner-up in the amateur category at the 2005 Freedom Film Festival. It was screened at the Singapore International Film Festival last year, and at the Jakarta Film Festival in 2004. It is available for download at Danny Lim's website (50MB). Or you can even watch the thing via Youtube below: The Malaysian independent film industry is said by many to be undergoing a movement of sorts that is referred to as 'a new wave'. Many works from this country are being shown in festival circuits, garnering accolades from foreign countries that are unfortunately not noticed by our own countrymen due to the lack of media coverage. If allowed to grow unhindered, I think, and I want to believe, that there will be a bright future for Malaysian films, and that we can establish ourselves as, in Yasmin Ahmad's words, a filmmaking hub (of sorts) that will be noticed internationally. But once again, maybe I am immature and naive, thus I believe so much in the future of Malaysian filmmaking, that viral marketing will play a major role in expanding and causing the maturation of Malaysian cinema in an international stage. Therefore, awareness has to be raised for works that are deserving, appreciation has to be given when necessary, criticism has to be given as a necessity. I wish more people can watch 18? not because I am so blown away by its greatness that I want to share this with everyone, I have my complaints, not with the content, but more with presentation, so pampered by the (seemingly) slick production values attempted by film students in my own Murdoch University that when I first watched this documentary hours ago, I was slightly disconcerted. To me, it is not a perfect film, many stylistic choices chosen by the filmmaker is not something I agree with, I didn't like the sound mixing, I didn't like some of the framing (I couldn't see some faces clearly because of the light, and angles), and the amount of talking heads used might be too boring for those who are not used to something of such languid pacing. A film is seldom universally loved, for everyone who lauded 18?, there will always be someone like me who picks at what is regarded as the most superficial aspects of a film, like, well, production values. Yet at least I am still talking about this film. I am starting a meme for the first time ever. And I'm not sure whether it'll be successful. And because this meme is started by someone who has never started a meme and whether it'll be successful is suspect, I will keep things VERY simple. All you have to do is do any of the following:
I was tagged by The Great Swiftyto do this. Mummy always teach that to build ties between bloggers, we must reply to memes. (I've been a bad girl as I still have one from my brother and from Kai-Linwhich I have not yet done. I think I've got a one year old plus plus one from Fashionasia about shoes...hmm.) |